This month you can hear:

2/3 - Verdi: IL TROVATORE. Sir David McVicar’s exhilarating production of Verdi’s thrilling depiction of life on the edge features Maria Agresta as the noble heroine, Leonora, Yonghoon Lee as the troubadour who loves her, Quinn Kelsey as his rival, and Anita Rachvelishvili as the Gypsy Azucena, whose bloodthirsty curse propels the story. Marco Armiliato conducts.

2/10 - Early this week – at 12:00 p.m.
Donizetti: L’Elisir D’Amore. Pretty Yende debuts a new role at the Met with her first Adina opposite Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his ravishing “Una furtiva lagrima.” Bartlett Sher’s production is charming, with deft comedic timing, but also emotionally revealing. Domingo Hindoyan conducts.

2/17 - Early this week – at 11:30 a.m.
Wagner: PARSIFAL. Met Music Director Designate Yannick Nézet-Séguin conducts Wagner’s transcendental score, in François Girard’s remarkable production, a mystical theatrical journey. Tenor Klaus Florian Vogt, renowned across Europe, returns to the Met following his appearances in the 2016–17 season as Florestan in Fidelio. Evelyn Herlitzius is Kundry, and Peter Mattei and René Pape bring back their highly praised interpretations of Amfortas and Gurnemanz, respectively.

2/24 - Early this week – at 12:30 p.m.
Puccini: LA BOHÉME. The world’s most popular opera returns in Franco Zeffirelli’s classic production, with a series of exciting casts. Angel Blue, Anita Hartig, and Sonya Yoncheva (left) share the role of the fragile Mimì, with Dmytro Popov, Russell Thomas, and Michael Fabiano alternating as the poet Rodolfo. Alexander Soddy and Marco Armiliato share conducting duties.


Next month you can hear:

3/3 - Puccini: MADAMA BUTTERFLY. Anthony Minghella’s stunning production of Puccini’s heartbreaking opera, an instant Met classic since its 2006 premiere, returns with Hui He and Ermonela Jaho in the tragic title role of the trusting geisha. Roberto Aronica and Luis Chapa alternate as her callous American lover, Pinkerton, and Jader Bignamini and Marco Armiliato conduct.

3/10 - Rossini: SEMIRAMIDE. This masterpiece of dazzling vocal fireworks makes a rare Met appearance - its first in nearly 25 years - with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.

3/17 - Strauss: ELEKTRA. Christine Goerke sings her first Elektra at the Met in Patrice Chéreau’s landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss’s shattering score, a tour de force for the singers and the orchestra alike.

3/24 - Puccini: TURANDOT. Puccini’s grand spectacle of legendary China stars Oksana Dyka and Martina Serafin in the role of the ice princess and Aleksandrs Antonenko as the unknown prince who must thaw her heart or die. Maria Agresta, Hei-Kyung Hong, and James Morris are among the other remarkable artists featured in this cherished Franco Zeffirelli production, led by Carlo Rizzi and Marco Armiliato.

3/31 - Mozart: COSÌ FAN TUTTI. A winning cast comes together for Phelim McDermott’s clever vision of Mozart’s comedy about the sexes, set in a carnival-esque, funhouse environment inspired by 1950s Coney Island—complete with bearded ladies, fire eaters, and a Ferris wheel. Manipulating the action are the Don Alfonso of Christopher Maltman and the Despina of Tony Award–winner Kelli O’Hara, with Amanda Majeski, Serena Malfi, Ben Bliss, and Adam Plachetka as the pairs of young lovers who test each other’s faithfulness. David Robertson conducts.

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